Nogometaš Sergio Barrano izgradio je prepoznatljiv vizualni identitet koji nadilazi okvir sportske profesije i ulazi u prostor modne performativnosti. Njegov stil funkcionira kao igra identiteta: promišljeno kombinira luksuzne modne kuće, avangardne siluete i streetwear reference, gradi figure koje se neprestano mijenjaju, ali uvijek ostaju autentično njegove. Barrano modu koristi kao produžetak vlastite osobnosti, kao polje u kojem spaja energiju sporta, estetiku visokog luksuza i eksperimentalni dizajn. 

Footballer Sergio Barrano has crafted a distinctive visual identity that transcends the boundaries of his sporting profession and enters the realm of fashion performativity. His style functions as a game of identity: he thoughtfully blends luxury fashion houses, avant-garde silhouettes, and streetwear references, constructing figures that constantly shift yet remain unmistakably his. For Barrano, fashion is an extension of personality, a field where the energy of sport meets high luxury aesthetics and experimental design.

U jednoj od svojih najprepoznatljivijih kombinacija nosi Givenchy sunčane naočale, Rick Owens puffer jaknu, Louis Vuitton hlače iz kolekcije 2025, tenisice Air Force Off-White koje potpisuje Virgil Abloh, te Hermès Birkin 35 uz Louis Vuitton Side Trunk MM. Riječ je o silueti koja spaja luksuzne  statusne simbole i urbanu, gotovo futurističku nonšalanciju, potvrđujući njegovu sposobnost da istovremeno nosi estetiku ulice i vrhunske luksuzne izrade.

In one of his most recognizable combinations, he wears Givenchy sunglasses, a Rick Owens puffer jacket, Louis Vuitton pants from the 2025 collection, Air Force Off-White sneakers by Virgil Abloh, a Hermès Birkin 35 and the Louis Vuitton Side Trunk MM. The silhouette merges luxury status symbols with an urban, almost futuristic nonchalance, showcasing his ability to carry both street aesthetics and the craftsmanship of high luxury.

U drugom stylingu Barrano poseže za izrazito monokromnom, arhitektonskom linijom: Heliot Emil crna jakna, odgovarajuće Heliot Emil hlače, ponovno Air Force Off-White tenisice te Givenchy naočale. Ovdje gradi strožu, gotovo tehno figuru, u kojoj dominiraju precizni rezovi, funkcionalnost i minimalistička agresivnost brenda.

In another styling, Barrano turns to a distinctly monochrome, architectural line: a black Heliot Emil jacket, matching Heliot Emil trousers, again Air Force Off-White sneakers, and Givenchy sunglasses. Here he constructs a stricter, almost techno figure dominated by sharp cuts, functionality and the minimalist aggressiveness characteristic of the brand.

Treći look donosi njegovu najavangardniju stranu. Nosio je kultne Oakley OVERTHETOP naočale, uz gornji dio Rick Owens Spider Banana, hlače i tenisice iz iste kuće, te Louis Vuitton torbu. Taj spoj brutalističkih volumena, skulpturalnih linija i sportske opreme reinterpretirane kao futuristički objekt svjedoči njegovoj sklonosti eksperimentalnoj modi, estetici koja izaziva ustaljene norme muškog odijevanja.

The third look reveals his most avant-garde side. He wore the iconic Oakley OVERTHETOP sunglasses, paired with the Rick Owens Spider Banana top, matching trousers and shoes, and a Louis Vuitton bag. This fusion of brutalist volumes, sculptural lines and sports equipment reimagined as a futuristic object speaks to his affinity for experimental fashion, an aesthetic that challenges established norms of menswear.

Barrano svoje modne konstrukcije jednako samouvjereno nosi na ulici i tijekom modnih događanja. U listopadu, tijekom Fashion Weeka u Amsterdamu, prezentirao je upravo tu sposobnost transformacije: nogometaš koji ima vještinu izgradnje modnog identiteta te je odijevanje za njega prostor slobode, igre i autorskog izraza.

Barrano carries his fashion constructions with equal confidence both on the street and at fashion events. In October, during Amsterdam Fashion Week, he showcased precisely this ability to transform: a footballer with the skill to build a distinct fashion identity, for whom dressing becomes a space of freedom, play, and personal expression.

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